PARKing CHANce (Park Chan-wook and Park Chan-kyong)'s Short Film, 2013
Day Trip is once again a project by PARKing CHANce, the creative duo of the Park brothers. It was produced as a commercial film sponsored by Kolon Sport. The outdoor apparel company launched a series of events celebrating its 40th anniversary with the "Way To Nature" film project. However, this fact is only relevant regarding the film's production background, as there is absolutely no trace of overt branding within the movie itself.
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Song Kang-ho, Jeon Hyo-jung, and PARKing CHANce: Park Chan-wook and Park
Chan-kyong (Author's screenshot from MBC Entertainment's YouTube channel: Section TV, Song Kang-ho #10, 송강호 20121230) |
Day Trip is once
again a project by
PARKing CHANce,
the creative duo of the Park brothers. It was produced as a commercial
film sponsored by
Kolon Sport.
The outdoor apparel company launched a series of events celebrating its
40th anniversary with the "Way To Nature" film project. However, this fact
is only relevant regarding the film's production background, as there is
absolutely no trace of overt branding within the movie itself.
That said, the slogan "Way to Nature" may have served as inspiration. We
already saw in
Night Fishing how
skillfully the directing duo handles Korean traditions. The same happens
here, albeit in a completely different theme and mood. The
horror-inflected playfulness of previous films has vanished, leaving
behind only raw dramatic power. We see a pair consisting of a
silver-haired old man and a young girl. Despite his urban suit, the old
man is a somewhat mythical figure, while the girl is a very contemporary
youngster. Master and apprentice journey toward the mountains, and along
the way, the girl bursts into tears, devastated by her recent third-place
finish in a
pansori
competition.
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| (Author’s screenshot from Day Trip.) |
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| (Author’s screenshot from Day Trip.) |
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| (Author’s screenshot from Day Trip.) |
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| (Author’s screenshot from Day Trip.) |
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| (Author’s screenshot from Day Trip.) |
The old master leads her to the Namsan Mountains. For foreign viewers unfamiliar with Korean traditions, it is important to know that pansori—a traditional narrative singing style—involves a ritualistic preparation known as a 100-day retreat. During this time, practitioners retreat into nature to practice their craft amidst its soundscapes. This period not only aids in developing their self-awareness and stage presence but is also when they acquire their distinctive, husky voice; they would sing with such volume and strain that their throats literally bled.
While that physical extremity is not the focus here, the girl must grasp a fragment of the old man’s wisdom. It is no exaggeration to say that the frames capturing this moment of understanding—and the acquisition of knowledge—are of cinematic significance. Few have managed to portray the fusion and simultaneous rivalry between man and nature, the true roots and primordial power of tradition, with such breathtaking beauty and dramatic intensity.
The film is a lyrical depiction of the transmission of knowledge between generations and the peaceful departure of the elder generation once their task is complete.
The white-haired old man is played by none other than the legendary
Song Kang-ho,
who underwent extensive makeup sessions to authentically portray a
character much older than himself. The role of the apprentice was won by
15-year-old
Jeon Hyo-jung
after a meticulous casting process, and her
pansori singing is
a magnificent experience.
. . .







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